Wednesday, January 29, 2020

Louise Bourgeois Essay Example for Free

Louise Bourgeois Essay Much can be learned from the environment within which we live. What we see tells a lot about the society in which we live: belief system; politics; economic undertakings; kinship and material culture among others. Through material culture, we can get insight into the world that existed long before us. Culture can be defined as the way of life of people depicting their shared experiences, political and religious beliefs, technology, insights, attitudes, and material objects. (Li Karakowsky) The sublime can be defined as the priced greatness or vast intensity in terms of biological, moral, mental, metaphysical, beauty, art or religion. Sublime is experienced over and over. It is embedded in our history, being, values, thoughts, concepts, world views, beliefs, and is responsible for our personalities (Bernadac 2007 p20) Main Body One of America’s renowned artist and sculptor, Louise Bourgeois, managed to capture the American Sublime through her artistic undertaking. She was born in Paris, France in December 25, 1911 but traveled to America in 1938 to perfect her artistic endeavor. She studied mathematics at the Sorbonne, and painting and sculpture in Ecole du Louvre, Ecole des Beaux-Arts, and Art Students League of New York. She worked as an assistant to Fernand Henri Leger- a French sculptor, painter, and film maker. She is popular for her work that depicts spiders, sculptures, drawings and literary work (National Gallery of Canada 2005 p16). As a way of depicting the society in which she was living, Bourgeois work is full of inanimate images of horrifying fear, ghosts, darkness, tortured people, and disabling mental illness to attempt to get at the source of these emotions and to uphold normality even in times of chaos. Her works helped depict the intellectual climate, social and historical conditions that existed then. (Gorovoy et al 2006 pp 27 -28) She captured the effects of the First World War through carving limbless sculptures and detached limbs and had most of his paintings and sculptures painted black to depict death and mourning, (Gorovoy et al 2006 p 24) e. g. the two headless fabric bodies attempting to make love shown below. She depicts the revolution of the western politics, largely constructivism, through posters that expressed sympathy towards the Russian regime which she displayed in Moscow. The Tate Modern exhibition catalogue indicates her inclination towards Communism. Bourgeois made abstract art pieces that reflected on her childhood experiences showing how relationships within the family were entwined together thus bringing in the aspect of kinship, socialization and acculturation. This depicts how her art gives us insight to how children were brought up back then. (Lippard 2003 pp 9-10) Her Femme Maison and Fallen woman series introduced the aspect of liberation of women. They depicted a female struggling to outgrow some house like structures within which she is trapped – that is attempting to outgrow the masculinity into which the women were entrapped. She depicts a rebellion against the negative masculinity through her work, The Destruction of a Father, in which rock figures surround a sacrificial slab full of butchered body parts. Thus: It has been suggested that her sculpture, The Blind Leading the Blind, has a religious connotation. According to Desmond Michael and Lloyd Michael (1870-1970) Bourgeois, inspired by the Cold War, made this sculpture and that the title was picked from the New Testament verse (Matthew 15:14) that describes how a blind man leading another blind man would end up in a ditch. The structure is shown below (Bernadac 2007) Bourgeois contribution to the American Sublime is best captured in New Yorks Guggenheim Museum, the Centre Pompidou in Paris and Londons Tate Modern with their massive collection of her art work. In conclusion, the American Sublime has been captured through art in poetry, carvings, paintings, songs, books, and which take us back to the origins of the cultures of past American societies. Just like the origins of the American sublime can be traced through studying works of art, similarly, so can we understand much about its revolution from the contemporary art works. Louise Bourgeois has managed to get this through her sculptures, drawings and works of art – reflecting abstract as well as tangible aspects of living that relate to feelings, political standing, material culture, religious inclination, beliefs and kinship. References Bernadac, M (2007) â€Å"Louise Bourgeois† Rizzoli International North America pp 18 24 Gorovoy, J. , Carver R. Read C. (2006) â€Å"Louise Bourgeois† Bellport Press University of Michigan pp 21-35 Lippard R (2003) â€Å"Overlay: contemporary art and the art of prehistory† Pantheon Books NY pp 7-16 National Gallery of Canada (2005) â€Å"Louise Bourgeois Maman† National Gallery Canada press pp 14-17

Tuesday, January 21, 2020

Philosophy :: social issues

Philosophy â€Å"Theories of Connectivity† paints a picture of our tomorrow. It names some of the advancements that we have made in technological areas. Everyday computer companies and universities are devising ways to insert computer systems into every facet of our lives. They have made GPS systems for our cars, palm pilots for easy Internet access, and digital jewelery for easy communication and information storage. We are in an age of network. â€Å"The average American house already contains more than 40 computers. Last year alone, eight billion new microprocessors came into the world.† Gleick traces our path of the present and future of technology. He simply lays out our undeniable urge to invent. When we were children, we played with our toys and loved to explore. Now that child-like motivation has evolved to a greater maturity, and toys are becoming our future. These devices may be complex, but it seems that the goal of electronic companies is to shrink the product in order to make it simpler to handle. Our technology, pervasive computing, seems to be taking over our world today. It seems that we are trying to eliminate human thought and, replace it with computers made by limited human minds. I will focus on Heidegger’s, Habermas’, and Marcuse’s philosophy and their response to today’s technology. Each philosopher has their own philosophy on technological advancements. They do not have the advantage of witnessing some of these new advancements and innovations, but their writing will shed some light on their thoughts. Heidegger believes that technology could be our greatest danger. It has caused such problems as ecological destruction, nuclear danger, and consumerism, and it is using technology to solve these problems, which is even worse. Our society seems to be taking away ration thought and diving deeper into technology to fix our problems. Heidegger will present a possible solution called the saving power. Habermas asks the question, â€Å"How is it possible to translate technically exploitable knowledge into the practical consciousness of a social life-world? He explains where technology should evolve and the power that it holds. He sees technology as a whole new way of life, but it must be applied to the life-world. He will present the knowledge –constitutive interest theory, which will better describe his stance on modern technology. Marcuse follows a thinking that â€Å"the machine†, industry, becomes the center of society. He is an instrumentalist, a view in which technology is neutral and it adds nothing to the ends it serves.

Monday, January 13, 2020

Balance Sheet And Market Value

The most notable thing in the table presented above is the disparity between the actual market value and what is reported in ARC’s balance sheet. The balance sheet funding totaled to $1. 465 billion while the market value ballooned reaching $2, 390 billion. When compared, the difference is a staggering $20 million indicating that ARC owes more to its financiers than what it actually claims. The source of this huge difference is the disparity between the balance sheet amount of long-term debt and its market value. The company does not trade its bond so the yield is compared with companies issuing the same bonds.When converted to its present value, the book value is significantly lower than the market value. Another is the amount of stockholder’s equity. It should be noted that in reality, more funds are generated from the sale of stocks than their attributed value in the company’s books. The difference in the numbers has several implications when the capital struc ture of the company is considered. Two specific financial ratios are often computed in order to look at the risk entailed by a business organization—the debt ratio and the long term debt to equity. The debt ratio looks at the portion of the company’s asset which is financed by creditors.Accordingly, it â€Å"gives an idea to the leverage of the company along with the potential risks the company faces in terms of its debt-load† (Debt Ratio 2007). When computed using the balance sheet figures, ARC has a debt ratio of 68%. On the other hand, when market value is utilized the figure shrinks to 67%. This implies that 67-68% of ARC’s assets are financed by its creditors. In the industry as a whole, a higher debt ratio is an indication of higher financial risk because debt is often perceived as riskier method of financing. Thus, when market value is used, ARC has the chance of showing a better credit standing.The disparity is small but not insignificant. It shou ld be noted that investors often look at the credit exposure of the company by looking at the debt ratio. A small percentage can spell a huge difference when investors are making their choice. The debt to equity ratio on the other hand shows the proportion of creditors share to equity holders in the company’s resources. Accordingly, â€Å"A high debt/equity ratio generally means that a company has been aggressive in financing its growth with debt which can result in volatile earnings as a result of the additional interest expense† (Debt to Equity Ratio 2007).Using the balance sheet data, ARC’s debt to equity ratio is 2. 16 while market shows a lower 1. 98. Both of this data shows that ARC’s debt is much greater than its equity account. For the balance sheet data, every dollar in ARC’s equity is matched by a corresponding $2. 16 in total debt. On the other hand, market value data shows that every dollar of equity only has a corresponding 1. 98 debt. In general, the computed ratios show the high exposure of the company to financial risk.It should be noted that debt entails the payment of interest at regular intervals and face value (Keown et al 2005). References â€Å"Debt Ratio,† 2007, Investopedia. com. Retrieved 06 December 2007, from http://www. investopedia. com/terms/d/debtratio. asp â€Å"Debt to Equity Ratio,† 2007, Investopedia. com. Retrieved 06 December 2007, from http://www. investopedia. com/terms/d/debtequityratio. asp Keown, A. J. , Martin, J. D. , Petty, J. W. , and Scott Jr. , D. F, 2005, Financial Management principles and applications, Pearson/Prentice Hall International Edition, 10th Edition.

Saturday, January 4, 2020

Domestic Violence And Child Abuse - 962 Words

Unfortunately, seven years have now passed and Aaron now has a domestic violence (DV) criminal case pending as well as a possible child abuse case for the abuse of his son. It seems that Aaron has been having a lot of problem lately with the law as well as personal. However, those problem didn’t just start because as a child he had two adjudications of delinquency and served six months in a juvenile detention center for his actions. Yet, he did not learn his lesson from his younger actions and has now been arrested four times for aggravated assault as well as domestic battery that led to one conviction. Furthermore, he has been arrested two times for driving under the influence (DUI), and one of his DUI cases is slated for trial in three months. Therefore, he may be facing another conviction as well as some time in jail and fines once again for the DUI. Now Aaron lives with his girlfriend, Kelly and they have a two-year-old son, named Josiah. 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